What Went Wrong
What Went Wrong covers Hollywood’s most notoriously disastrous movie productions, digging into the behind-the-scenes insanity of everything from massive flops to record-breaking blockbusters. In each episode, hosts Lizzie Bassett and Chris Winterbauer dive into a new film to explore the mind-blowing (and sometimes numbing) reasons why making a movie is nearly impossible (especially a good one). Produced by David Boman.
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Episodes
Giant (1956)
‘Giant’ may be remembered as James Dean’s final film, but there is so much more to the story. Chris and Lizzie dive into the making of the classic 1956 film, why James Dean and Rock Hudson couldn’t stand each other, and how Elizabeth Taylor found herself caught between the two. Find out how homophobia tore Rock Hudson’s life apart, why director George Stevens constantly fought with James Dean, and how Dean’s untimely death prior to the end of production set the film on a totally different course.
My Big Fat Greek Wedding
My Big Fat... Latina Wedding? This week, Chris & Lizzie dive into the magical, seemingly impossible indie-darling that could, My Big Fat Greek Wedding. Learn how Nia Vardalos turned what Hollywood perceived to be her biggest liability (her Greek heritage) into a movie so specifically hilarious, it felt universal. This is the unlikely story of how a one-woman show (and a $500 ad in the LA Times) found Rita Wilson and Tom Hanks in its audience and birthed one of the most successful indie films in the history of Hollywood.
Breakfast at Tiffany's
When Hollywood producers got their hands on Truman Capote’s “Breakfast at Tiffany’s”, they thought they’d found the perfect RomCom. There was just one problem: there was no rom in that com because the narrator was gay. In this episode, Chris and Lizzie break down the Audrey Hepburn classic and discover why she was reluctant to take the part, which actor caused the most trouble on set, and how the cinematographer got electrocuted… at Tiffany’s! Plus we discuss the lasting impact of Mickey Rooney’s troubled performance, and discover why Truman Capote himself wanted to spit on the director.
Out of Frame: In Cold Blood | Movie vs. Book
When the town of Holcomb, Kansas opened its doors to renowned author Truman Capote in 1959, they had no idea their story would change the way True Crime was written forever. Join Chris and Lizzie as they explore the real case behind the novel ‘In Cold Blood’ and its 1967 film adaptation, plus find out where Capote may have twisted the truth, and the shocking lengths film director Richard Brooks took to recreate the murders of the Clutter Family.
Indiana Jones and the Temple of Doom
It's time for the feel bad sequel of 1984! Join Chris and Lizzie as they explore how bad breakups and broken backs contributed to George Lucas and Steven Spielberg being branded villains by People magazine. Plus, why Ke Huy Quan's "Short Round" is the real hero, Kate Capshaw paying a steep price for not reading the entire script, and why we still love Harrison Ford even though he stole Short Round's lines.
Cabaret
This week Bob Fosse is clawing his way out of director’s jail with one of the greatest movie musicals ever made: ‘Cabaret’. Join Chris and Lizzie as they discover how instrumental Liza Minelli was in creating Sally Bowles’ iconic look, why Joel Grey cried after he saw the first cut, and which role Bob Fosse might have wanted to take for himself… We also find out why Bob Fosse probably shouldn’t attempt any more backflips, and how a sordid affair in Berlin effectively ended his relationship with Gwen Verdon.
Star Wars: Episode V - The Empire Strikes Back
How does George Lucas top the most successful film of all time? He outsources the writing and directing, finances it himself, and then wonders if it could've been as successful if it had just been a little bit worse! This week, Chris & Lizzie head to Hoth to watch Irvin Kershner's cameras freeze, Dagobah to bear witness to Frank Oz create our favorite little bog freak, and navigate the asteroid field of Han and Leia's all too meta verbal sparring!
The Devil Wears Prada (with Jameela Jamil)
When director David Frankel signed on to adapt the novel The Devil Wears Prada into a movie, he didn’t realize he’d be up against the real Miranda Priestly herself: Anna Wintour. This week Chris, Lizzie, and very special guest Jameela Jamil discover how it took 5 tries to find the right screenwriter, why Anne Hathaway was the 9th choice to play Andy Sachs, and how fear of retribution from Anna Wintour almost shut the whole thing down. Find out why Meryl Streep went method with her role, how Emily Blunt totally transformed her character, and why a scandal brewing in Anne Hathaway’s personal life bled over onto set.
Taxi Driver
This year marks the 50th anniversary of 'Taxi Driver', which is somehow even more relevant now than it was in 1976. But the truth is 'Taxi Driver' almost didn't make it to the screen. This week, Chris and Lizzie break down how Martin Scorsese and Paul Schrader fought to make a dark, deeply uncommercial script on a shoestring budget, that made the studio nervous from the start. Discover why the Board of Education nearly blocked Jodie Foster's controversial casting, and how Robert De Niro stepped in as her de facto acting coach on set. Plus find out how Scorsese wound up as a last minute replacement for one of his own actors, and why the production almost drove him to go full Travis Bickle on the studio execs... until Steven Spielberg talked him down.
Jodie Foster & John Hinckley Jr. (with RedHanded)
'Taxi Driver' isn't just one of the greatest movies ever made... it's also deeply entangled with one of the most shocking true crimes in American history. In this Out of Frame episode, Chris and Lizzie welcome special guests Suruthi Bala and Hannah Maguire from RedHanded to examine the disturbing case of John Hinkley Jr, whose obsession with Jodie Foster spiraled into an attempt to assassinate Ronald Reagan. Discover how the case reshaped Foster's life and career, and dive into the lasting impacts of the trial on the American criminal justice system. Find out how 'Taxi Driver', arguably an examination of toxic masculinity, became an extremely dangerous call to arms in the wrong hands.
Willy Wonka & the Chocolate Factory (1971)
Let's dive into a world of pure imagination... and some pretty unsafe set pieces! This week, Chris and Lizzie are joined by Aaron Tracy, creator and host of The Secret World of Roald Dahl, and they head into Willy Wonka's chocolate factory to figure out how such an odd movie came to be. From cereal financing to secret rewrites and Gene Wilder's unexpectedly edgy performance, this production's only topped by the Zelig-esque life of the man who spawned the book it's based on.
James McAvoy on California Schemin'
This week, the one and only James McAvoy joins Chris and Lizzie to break down what went wrong - and very right - on his directorial debut, California Schemin’. The film follows two young Scottish rappers who get laughed out of the music industry… until they start pretending to be American. It’s a true story of ambition, delusion, and the blurry line between reinvention and outright fraud. Find out what drew McAvoy to the script, how he assembled the perfect cast, and what surprised him most about stepping behind the camera for the first time. Plus, discover the tricks he borrowed from some of the best directors he’s worked with (and which ones actually worked). Check out California Schemin’ in UK theaters starting today!
Lawrence of Arabia
David Lean's ‘Lawrence of Arabia’ is widely considered one of the greatest films ever made… but behind the sweeping desert vistas was a production as brutal and unpredictable as the landscape itself. This week, Chris and Lizzie break down how a script that was never truly finished—thanks in part to one of its screenwriters landing in jail—left the film constantly evolving even as cameras rolled. Discover why Omar Sharif was a last minute replacement, and why both Sharif and Peter O’Toole were forced to perform their own dangerous stunts on camels that were as temperamental as they were painful to ride. While ‘Lawrence of Arabia’ cemented David Lean's place in cinematic history, it also played a major role in shaping how the world understands the real T.E. Lawrence — for better and for worse.
Labyrinth
How did the Star Man, the Star Wars Man, and the Muppet Man come together to make the seminal 1986 oddity, Labyrinth? Join Chris and Lizzie as they get lost in the experimental mind of Jim Henson, young Jennifer Connelly's dispassion for acting, and the remarkable juggling of David Bowie's (crystal) balls. *CORRECTION: Terry Jones was Welsh, not English.
American History X
'American History X' was a tough sell on paper, though that didn't stop up-and-coming star Edward Norton from fighting for it. But what started as a promising collaboration between Norton and first-time director Tony Kaye would soon explode into one of the most infamous behind-the-scenes battles in movie history. This week, Chris and Lizzie break down how tensions that started brewing on set spiraled into an all out war in post-production. Discover how Kaye got completely shut out of the edit, and find out why he decided to spend $100K of his own money to retaliate... in public.
Seven Samurai
A Kubrickian schedule! Two months of shooting in the mud! Roundworm, tuberculosis, and mass-method acting! What are the building blocks of Akira Kurosawa's 1954 classic jidaigeki film, Seven Samurai? Chris and Lizzie learn of Kurosawa's battles with censors (Japanese and American), studios, and his own personal demons. Plus, how the score went from the wastebasket to the silver screen, how Toshiro Mifune saved the film from a self-serious tone, and how a request for 10 days off can lead to a two year stay at your director's house. *This episode was made possible by the incredible support of Patrons like Blaise Ambrose!
Forrest Gump
‘Forrest Gump’ became one of the biggest hits of the ’90s—but it was never a sure thing. What started as a seemingly unadaptable novel bounced through multiple directors, screenwriters, and studios before it finally found the team that could bring it to life. This week, Chris and Lizzie break down how Robert Zemeckis pulled off the film’s groundbreaking visual effects, why the first three days of Tom Hanks’ performance were thrown in the trash, and the unexpected source behind Forrest’s now-iconic accent.
Casablanca
This week, everybody comes to Rick's! Chris and Lizzie head to French Morocco for a deep dive on Casablanca, the movie that no one believed in and everyone wanted credit for. Learn how a notoriously tough director (Michael Curtiz), a freshly minted producer (Hal Wallis), a frustrated starlet (Ingrid Bergman), and a truly international cast brought this Hollywood classic from an unproduced play to the silver screen in mere months.
The League of Extraordinary Gentlemen
'The League of Extraordinary Gentlemen' was supposed to launch a franchise... Instead, it was a production so toxic it ended a legendary career—and shoved one of the most influential comic writers of all time into a legal nightmare. This week, Chris and Lizzie break down how 'The League of Extraordinary Gentlemen' collapsed under the weight of ego, chaos, and truly terrible luck. From devastating floods that destroyed entire sets to a power struggle between director Stephen Norrington and star Sean Connery that nearly turned physical, 'The League of Extraordinary Gentlemen' was doomed from the start.
Eternal Sunshine of the Spotless Mind
Were Michel Gondry and Charlie Kaufman star-crossed lovers or creatively cursed? This week, Chris & Lizzie plumb the memories of all involved in the 2004 sci-fi hit, Eternal Sunshine of the Spotless Mind, a movie Charlie Kaufman tried endlessly to break up with. Plus, Gondry and Jim Carrey's loveless marriage, how Kate Winslet set the tone, and Mark Ruffalo and Tom Wilkinson's wildly different reactions to the on set vibes.
The Cotton Club
'The Cotton Club' was supposed to be Robert Evans’ big comeback... Instead, it became the movie that finally took him down - and nearly dragged Francis Ford Coppola with him. Chris and Lizzie break down how Evans' desperation to make the film led to shady financing, a baffling creative curveball from Richard Gere, and a production so chaotic that an actual mobster came on board as a line producer. Even though 'The Cotton Club' began as a story highlighting the racial inequalities of the actual nightclub, it became a film that marginalized its own black talent. Find out why it took Coppola 30 years to correct this mistake, finally allowing Gregory and Maurice Hines to steal the show. Make sure you listen to our Out of Frame episode on The Cotton Club Murder first as a primer for this episode!
Out of Frame: The Cotton Club Murder
Before ‘The Cotton Club’ became one of Hollywood’s most notorious flops, it was connected to something much darker. In this episode of Out of Frame, Chris and Lizzie dig into the death of Roy Radin — a small-time producer whose obsession with breaking into Hollywood by financing ’The Cotton Club’ ended in murder. Find out how Radin got involved with Lanie Jacobs, a cocaine dealer with movie ambitions of her own, and why the entire case revolved around one of the most influential producers of all time: Robert Evans. Listen to this episode first as a primer, then come back Monday when we break down exactly what went wrong with ‘The Cotton Club’ in our full main-feed episode.
Spider-Man: Into the Spider-Verse
Lord & Miller lord over creative chaos as Sony succumbs to the stratospheric success of Marvel. This week, Chris & Lizzie learn how relinquishing control of Peter Parker may have opened the door for Miles Morales, how Donald Glover is at least partly responsible for the Spider-Verse trilogy, and why you might want to double check the meaning behind that 1930's slang you just added to the script before Nic Cage reads it.
Oscars 2026: Sinners & One Battle After Another
Chris and Lizzie kick off the 2026 Oscars conversation by discussing the overall Hollywood landscape, followed by a deep dive on where the best picture nominees stand. This week it's Sinners and One Battle After Another.
